From Central Asia to Anatolia (Seljuk, Ottoman) · Plant motifs

Hatayi (stylised flower)

A stylised flower of Central Asian origin, drawn from the vertical section of a flower.

What does it mean?

Hatayi is a flower motif formed by highly stylising the stems, leaves and flowers of various plants; it is often simplified so much that it is impossible to tell which flower inspired it [1][2]. It takes its name from Hata, Hatay and Hıtay, old names of East Turkestan; its earliest examples are seen in 8th- and 9th-century Uyghur wall paintings, and the motif reached Anatolia by way of Iran [1][2]. Drawn plain and small in the Seljuk and Beylik periods, hatayi reached its large and showy form in 16th-century Ottoman art, above all in İznik tiles [1][2]. Hatayis drawn from the side, from a vertical section of the flower, are called “yönlü hatayi” (directional hatayi); by their appearance they are grouped as peony, pomegranate blossom and lettuce flower. The most used is the peony: in its centre is a seed pod called “meşime” [1].

Related plants

  • Pomegranate: One type of directional hatayi is called “pomegranate blossom”.

Same theme

Sources

  1. Nursel Karaca, “Türk Çini Sanatında ‘Hatayi’ ve ‘Şakayık’ Motifi Örneğinde Çizim Özellikleri”, OPUS 18(42), 2021
  2. Nursel Karaca, “Kanuni Sultan Süleyman Türbesi Çinilerinde Yer Alan Tam Üsluplaştırılmış Çiçekler: Hatayi, Penç ve Goncagül”, Korkut Ata Türkiyat Araştırmaları Dergisi, 2024

Drawing: Bitki Tabanı, interpreted from the traditional motif.